Aos Pássaros Outonais

by George Christian

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about

To the Autumn Birds was an album which was a product of a simple will of direct communication and of a wish for the purity of the message, even with casual complexities. Despite being totally solo, recorded in my house or in the Music School of UFBA, there was no way out from the (fortunate) mishaps, which turned to be incorporated into the process. They diminished the feeling of loneliness here. Perhaps like the birds in a flock searching for new territories, I’m aspiring to a freedom that is only consummated in music form. But this album is pointed out by the tragedies of urge, or inspiration, or a wish to bring intimate confessions in sound format, or delirium. Not without the research of diverse tunings and sonorities. Anyway, every recorded piece here was experienced like being the last one. From urbanity to intimacy. From collectivity to individuality. Among cries and whispers. Among piano, electronics and the guitar, an integrative voice in re-tunings of worlds.
GEORGE CHRISTIAN

credits

released June 30, 2018

Composition, production, mixing and mastering: George Christian Vilela Pereira
Photos: Eduardo César and Wilhelm Matthies Design: George Christian
Recorded in Salvador in 2017, through a Samsung Galaxy IV cellphone.
George Christian: Ibanez V72 flat-top guitar; Yamaha keyboards; Essex piano, time-ready Grotrian Steinweg piano and time-ready Essenfelder closet piano; electroacoustics and áudio editing on Adobe Audition CS6.
The author wishes to thank his family and friends who contributed to the accomplishment of this álbum, somehow: Peter Marques, Paulo Roberto Pitta, Izabella Baldoíno, Wellington Mendes, Wilhelm Matthies, Eduardo César, Juan Almeida and Bruce Hamilton.

[SpecT 46]

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